The Progresses, Pageants, and Entertainments of Queen Elizabeth
ed. by Jayne Elisabeth Archer, Elizabeth Goldring, and Sarah Knight
Forthcoming, March 2007
Brings together new research on the progresses, entertainments, and pageants of Queen Elizabeth I; encompasses contributions from history, English literature, antiquarian studies, history of art, theatre studies, and history of the book; fully illustrated; includes a select bibliography of secondary material
More than any other English monarch before or since, Queen Elizabeth I used her annual progresses to shape her royal persona and to bolster her popularity and authority. During the spring and summer, accompanied by her court,
The Progresses, Pageants, and Entertainments of Queen Elizabeth I is an interdisciplinary essay collection, drawing together new and innovative work by experts in literary studies, history, theatre and performance studies, art history, and antiquarian studies. As such, it will make a unique and timely contribution to research on the culture and history of Elizabethan England. Chapters include examinations of some of the principal Elizabethan progress entertainments, including the coronation pageant Veritas temporis filia (1559), Kenilworth (1575), Norwich (1578), Cowdray (1591), Bisham (1592), and Harefield (1602), while other chapters consider the themes raised by these events, including the ritual of gift-giving; the conduct of government whilst on progress; the significance of the visual arts in the entertainments; regional identity and militarism; elite and learned women as hosts; the circulation and publication of entertainment and pageant texts; the afterlife of the Elizabethan progresses, including their reappropriation in Caroline England and the documenting of Elizabeth's reign by late eighteenth- and early nineteenth-century antiquarians such as John Nichols, who went on to compile the monumental The Progresses of Queen Elizabeth (1788-1823).